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Just outside Brixton Underground station is the famous David Bowie mural, painted in 2013 by artist Jimmy C. It honours Bowie, who was born in Brixton, and has since become a site of pilgrimage for fans from around the world.
After Bowie’s death in 2016, the mural transformed into a memorial wall, covered with flowers, candles, and handwritten messages. It remains a vibrant symbol of Brixton’s cultural identity and global connections through music and art.
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The statue outside Brixton Library commemorates Henry Tate (1819–1899), the sugar magnate and philanthropist who funded the library and later founded the Tate Gallery. Tate made his fortune in sugar refining, a trade long tied to slavery and colonial exploitation, though his career began after abolition in Britain.
In recent years, the statue has been the focus of protest. A black bag was placed over Tate’s head to symbolise the hidden human cost of the sugar industry and to question how figures connected to that history are honoured in public spaces.
The statue now stands as both a marker of Tate’s philanthropy and a reminder of the ongoing debates about how Britain remembers its colonial past.
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Right outside Brixton Underground station stands a busy kiosk that has become part of the area’s daily rhythm. It offers newspapers and magazines for the morning rush, chocolate and drinks for travellers on the go, and Oyster card top-ups to keep London moving.
From early morning until late evening, the kiosk serves as a quick stop for commuters, students, and visitors alike. Small in size but central in function, it captures something essential about Brixton life—fast-paced, practical, and always on the move.
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St Matthew’s Church, built in the 1820s as one of London’s “Waterloo churches,” stands as a historic landmark on Brixton Hill.
In front of the church sits a square ornamental fountain, set within a simple paved terrace. Modest in scale, it acts less as a grand monument and more as a local feature, offering a focal point of water and greenery in the open space around the church.
The pairing of church and fountain reflects Brixton’s blend of historic architecture and everyday community use of public space.
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These twin kiosks were installed in the 1990s by New World Payphones, a company set up to compete with BT’s public telephones. Their red frames, pitched roofs, and yellow signage gave them a distinctive look while keeping costs low and durability high.
Once essential for calls on the move, they’re now more often used as canvases for graffiti, posters, and protest messages. In Brixton, they survive less as working phones and more as part of the urban landscape.
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Brixton Windmill, also known as Ashby’s Mill, was built in 1816 and is the last surviving working windmill in central London. Once used to grind flour for the local community, it has been carefully restored and now stands as a heritage site and education centre, celebrating over 200 years of history.
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Brixton Windmill, also known as Ashby’s Mill, was built in 1816 and is the last surviving working windmill in central London. Once used to grind flour for the local community, it has been carefully restored and now stands as a heritage site and education centre, celebrating over 200 years of history.
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LOREM IPSUM
DOLOR SIT AME
CONSECTETUR ADIPISCING ELIT. MORBI BIBENDUM PHARETRA LOREM, ACCUMSAN SAN NULLA.


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DONEC FEUGIAT:
• Nisl nec mi sollicitudin facilisis
• Nam sed faucibus est.
• Ut eget lorem sed leo.
• Sollicitudin tempor sit amet non urna.
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LOREM IPSUM:
$150,000
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JOHN DOE
Licensed Real Estate Salesperson


Tlf.: +11 111 111 111
jhondoe@realestate.com
www.loremipsum.com



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Company Name
www.loremipsum.com
info@loremipsum.com
Tlf.: +11 111 111 111
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www.loremipsum.com
info@loremipsum.com
Tlf.: +11 111 111 111
## Tour ### Description ### Title tour.name = Brixton Tour